Contemporary Cuban photography risen enormously in the 90s due to a growing number of self-taught and innovative photographers. Since that pivotal era photographic negatives started to serve for much more than just historic documentation. They now recorded all the great social changes caused by Cuban crisis and unbearable situation Cubans lived in. Photography thus transformed from documentation to interpretation and photographs became much more introvert and confessional. This particular exhibition presents authors who are focused in their inner-self and as such position a subject into the centre of aesthetic and conceptual thinking. Artists among others are: Cirenaica Moreira, José Manuel Fors, Eduardo Hernández, Mabel Poblet, and René Peña.
Aberto-Chino-Arcos, Alejandro Gonzáles, Analía Amaya, Juan Carlos Alom, and José Ángel Vincench belong into the category of photographers that devote their work to their surroundings, codependency, and the use of the immediate objects, which they use to create visual experiments. Others - Luis Gómez, Ricardo Elías, and José A. Toirac - explore assorted social processes, which surround them, over and over again and thus raise new questions from the results they get.